Nevertheless, Disney's modern animations lack the magic of their predecessors. Then there's Judge Claude Frollo, a brilliant take on Hugo's legendary character, who hardly paints a flattering picture of organized religion. Gaston is a caricature of traditional masculinity and princesses like Jasmine and Rapunzel, each critical of gender roles, defied their parents repeatedly. After all, many of Disney's universally acclaimed works convey fairly liberal ideas. Whether or not a nine-year-old watches the latest Pixar film should be an apolitical decision. But if people merely want cartoons devoid of political propaganda, that may inadvertently compound the problem. In light of this, some have called for viewers to "#DropDisney," arguing that movie-goers should spend their money elsewhere. Nevertheless, regardless of whether fans support Disney's efforts, it is difficult to take the studio's activism seriously when the company gave special thanks in Mulan's credits to eight different Xinjiang government bodies responsible for the Uyghur genocide. They ignored international uproar over the insertion of gay romance in Eternals, Lightyear, and Strange World, and proudly state their mission to advance a " not-so-secret gay agenda" in children's shows. They feuded last year with Florida Governor DeSantis over the Parental Rights in Education law. Even so, Disney employees remain committed to the culture war, taking backlash in stride. Walt Disney's namesake has populated the headlines for several months now, often centered around some new controversy.
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